How to Make AI Videos With Claude Fable 5 (Higgsfield Supercomputer)

0:00Claude Fable 5 just completely changed how AI videos get made, and every video you're watching right now was made by it. Four ads and a week of vlogs, and I didn't edit a single frame. I just approved steps in one chat. I've been testing this setup for the past week, and nothing else I've tried even comes close. And so, in this video, I'll show you exactly how to make AI videos with Fable 5 from one brief to a finished batch, so you can make your first one today. The idea is you stop making the videos yourself and start directing an agent that makes them for you. With a

0:27normal video model, you write a prompt and take what comes back. But, here you hand over the whole job and approve the plan, the cast, and each render as it builds. Higgsfield supercomputer runs all of Higgsfield from a single chat, so you describe what you want once, and it plans the steps out, matching each one to the right model and rendering the lot. And the reason it can take on a brief this big is that it's running on Claude Fable 5. The way it works is that Fable 5 is the planner, and each step

0:50gets handed to whatever specialist fits. An image model for the frames, a video one for the renders, and a separate model for the voices. So, Fable 5's real job is lining them all up and passing the right thing to each one. Normally, four ads like these would mean jumping between a few different tools and an editor. A week of vlogs on top of that is days of work. Here, all of it happens in one chat. The only piece I make myself is the product, so that's where we start. Every ad is going to reuse that one product shot, so it's worth

1:16getting right before anything else. Everything today runs on Higgsfield, and the link is in the description if you want to follow along step-by-step. So, before I even open supercomputer, I'll go to the image tab, pick GPT image 2, set it to a one-to-one square, and describe the product I want. For this video, the product is a simple mug, a matte cream ceramic one with a little line art sun on the front. And I've got a plain product shot of the mug on a white background, which every ad is built around from here on. You make it once and reuse it, because if you let the agent regenerate the mug for every

1:44ad, the glaze and the shape come out a bit different each time, and your four ads stop looking like the same product. The lighting on this shot matters more than it looks. Keep it flat and with no harsh shadows or reflections, because the more the lighting is locked into the product shot, the harder it is for the agent to relight it convincingly in a sunny kitchen or a dim reading corner later. I use GPT image two for it because it holds fine product detail well. The shape and the little sun come out exactly right, which counts for a lot when this one image is about to

2:09appear in every ad. I keep it one-to-one on a plain background, too, since a simple product plate is the easiest thing for the model to drop into any scene later. Now, I'll open Supercomputer, and there are only two settings to change here. I'll pick approve before generation, so after every prompt it lays out its plan and pauses until I hit run instead of spinning on its own. I'll set it to Claude Fable 5, since that's the part that reads the brief and plans every step. And then I hand it a single brief that has to come back as four ads that all feel different. I'll give it that

2:35brief in one message. The mug goes in first, so it's locked as the product from line one. Then I tell it what I want. UGC style ads, four of them, each a different angle, morning coffee, cozy reading, office desk, and a gift idea. All casual and honest, like real creators shot them. I want them vertical, 9:16, so they're ready for reels and shorts. And I ask it to walk me through each step, so I can sign off as it goes. This is why I made the image first, instead of just describing the mug in the brief. If you only describe it, the agent pictures it a bit

3:02differently every time. An attached photo gives it one fixed thing to [music] copy, so the mug stays identical across all four ads. From that one message, it comes back with a full plan. Four ads and four different avatars, each one worked out down to the hair and the styling. Everyone gets its own setting and its own script. The casting is properly varied. The coffee ad gets a late 20s woman with ash blonde bangs in a bright kitchen, and the reading one a softer brunette on a couch with a throw and books. For the office ad, it picks a 30-something guy with light stubble at a lived-in desk. And the gift one a

3:31bearded guy boxing it up under string lights. The scripts are just as different. [music] One leans on the mug making the morning feel calmer. Another plays it as a break from a desk full of monitors. And the gift version sells it as the present that always works. So, no two of them sound the same. It all comes down to the brief. I tell it to start, and it builds the first avatar, a late 20s woman in a bright kitchen. Once Once it she's good, it puts that frame together, her holding the mug with the sun clearly on it, and starts rendering that first video while it moves on to

3:56the next creator. That start frame step is what keeps each ad consistent. It locks the creator's face and the mug into one still image first. So, when the video renders, it has a fixed target to animate instead of reinventing her frame by frame. [music] I make it check in at each step, mostly to save money. Catch a bad avatar right here and it's a one-line fix. Miss it and let it run and you've paid to render four ads you'll just throw out. The second creator is a woman with soft brown waves and a reading mug. And once I approve her, it goes straight into her start frame and

4:22renders the video off that. Then I tell it to build the last two at once instead of stopping to check with me on each and it works the same way through both. The avatar first, then the start frame, then the video straight off that frame. So, now there are four creators who all look different, two women and two men with a finished ad each. Then I change direction. I tell it I want them looking at the camera and talking. The video's at 10 seconds and the scripts tighten to fit. [music] And it regenerates all four as 10-second on-camera videos with proper lip sync, rewriting each script

4:48shorter to fit, and it never once starts over. I push it to 10 seconds and on-camera on purpose. 10 seconds is long enough to make one point and short enough that nobody scrolls off before it's done. And having them talk to camera is what makes it read as a real person. This is the mug I reach for first. It's just a simple ceramic thing with a sun on it, but pouring my coffee into it makes the

5:09whole morning feel calmer. This mug is my perfect reading companion. Tea in one hand, book in the other. The little sun on the side just fits the vibe. My desk used to be all screens. This mug didn't change much, but having it next to my keyboard makes the work day feel less robotic. Whenever I don't know what to get

5:32someone, I get this mug. Simple, beautiful. Everyone deserves a cup that makes them smile. Watching the four back, it's clearly the same mug in everyone, just re-lit for each scene. Ads are one thing, but the same agent will build you a whole content series. Now, let's do something completely different, a week of casual vlogs. This time I want a brand new creator instead of reusing any of the ad avatars. So, I have it build her character sheet first, full body and face, and then each day's video comes straight off that sheet, so there's no start frame to make this time. It's seven vlogs, one for each day of her

6:05week, 10 seconds each and all on camera. Then I'll paste the brief in. It plans her out, too, a warm mid-20s woman with dark hair and light freckles. Then it maps out 7 days for her, a morning routine, a gym session, errands around town, cooking dinner, then a night out with friends, a day outdoors, and a slow reset day at home. I'll approve, and it builds the character sheet, then generates all seven vlogs off that one

6:26sheet, so it's the same face all week. Get the character sheet right, and you've basically got a creator you own. Once she exists, you can put her in any video from here on. So, it's worth nudging her face and build until they're right before you generate a single day. It's also why the vlogs come together quicker than the ads did. The ads needed a fresh start frame for every video, since each one was a different creator holding a product. Here it's one person all week. So, the character sheet on its own is enough for the model to hold her face the whole way through. The sheet

6:51keeps her face locked, but the clothes and the settings can still change day-to-day. If you want a tighter look, put that in the brief, too. This vlog style is a different job to the ads. It's how you'd run a personal brand or a faceless channel. I do want to fix the voice, though, so I ask it to put a single consistent voice across all seven days. It offers me a few presets that suit a young creator. I pick one called Quinn, and it applies that same voice to every vlog. Preset voices like that are quick, and they fit, but they can sound a little generic. So, for a real

7:17channel, you'd probably clone your own voice instead. This is just the fast way to keep the whole week sounding like one person. Morning coffee. Let's see if I can be a functioning human today. Same walk every day, and I still love it. Three stops, and I've already lost the list. Post office, groceries, and one

7:39thing I definitely forgot. Wish me luck. Only got like 40 minutes today, so we're keeping it short. Legs, then I'm out. Honestly, the hardest part is just showing up.

7:58Attempting to cook something that isn't pasta. Wish me luck. Said I'd be ready at 8:00. It's 8:15. Meeting the girls in 20 minutes. This is 5:00 now. Needed some sun. Found a spot and honestly, might just stay here forever. Doing absolutely nothing today and I've never felt better. Laundry's going, tea's made. That's the

8:29whole plan. Reset day. That's a full week of content built from one character sheet and one voice, with me doing nothing but describing it. Once you've got a recipe that works, you don't have to baby sit it forever. You can take it off confirm and let it run a bigger batch unattended, which is how a week of vlogs turns into a month without you approving every frame. Because it remembers between sessions, the mug, the creators and the voice all carry over to your next chat. So you're not rebuilding your product or your cast every time you come back. For anyone making content at any volume, this is the change that

8:59matters. One person can now brief and approve what used to take a small team and the hard part stops being the production and becomes coming up with the ideas. The whole batch, all 11 videos, cost a fraction of what a single shoot or an agency day would, because you're paying in credits per render rather than day rates and revisions. It suits anyone who needs volume and consistency more than one cinematic hero video, a brand running UGC or a creator posting daily. And if you only ever wanted one perfect 30-second film, you'd still art direct that yourself. But for a steady stream of content, this is the

9:27fastest route I've found. So you hand Claude Fable 5 and the supercomputer your own product or your own week and it builds the batch while you approve each step. And the part I can't do for you is pointed at your own product. [music] What it builds from a brief of your own is the part I want you to see. Open Higgsfield through the first link in the description and hand it your first brief today. Thank you for watching and I'll

9:46see you in the next one.