# How I Edit a Whole Video with Claude Code in 5 Minutes of My Time

Channel: simply forseth
Video: https://www.youtube.com/watch?v=xWXMbLXdwTo
Duration: 41 min
Language: English
Words: 9681
Transcript page: https://viewrankai.com/tools/youtube-transcript/xWXMbLXdwTo

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[0:00] What's up everyone? Just a quick disclaimer before the video starts. As you can tell, it's like 40 minutes long and it does not take 40 minutes to do this whole editing process at all. I mean, my own working time is couple minutes and that's just me typing in the prompts and then I let it work. Now, the reason why it's 40 minutes long is because I go step by step, raw authentic live just to explain what's going on and why it's doing the thing it's it's doing. And I'm also breaking it down from each step. And usually I just do throw the whole thing at it once and

[0:26] then it's done. And at the end of the video, I also explain how I would go on about automating this if that's your end goal. And also everything about the Pocket Creative Director is linked down below. And yeah, let's begin. In this video, we're actually going to cover the whole editing process from A to Z. That means we already have recorded the raw vid uh video and we're going to cut it up, showcase how that that's done, the editing process, that means motion graphics and how it does make the decisions and then obviously sound effects and then you know to the finished reel. there's little to nothing

[0:57] that you probably need to do. Now, with that being said though, sometimes when I create a signature or a video, I like to record a raw video and while I'm creating a signature that's me, meaning like multiple styles and stuff like that, while I I'm trying to dial down my perfect style, that's when sometimes you will be having to kind of go back and forth with Claude Code or Codeex or whatever agent you're using and say

[1:20] like, "Hey, I didn't like it like that. We wanted to be like that or I wanted to work like this." like you kind of explain it as if you were to explain it to someone sitting next to you and explain what you don't like and what you like. Now, in this video though, I'm going to cover just pretty much uh if you've already seen the other video going over how I create styles we're going to use. If you look at my screen right now, this is my library. Right now, I have not decided yet. So, this is a raw video. Uh so, if we go to first of

[1:46] all, if you see this, this is the reel that we're going to cover. It's a 16x9 two versions. when I take off my headset here. That's version one. No, that's version two where I'm actually kind of going over more. Um, this is where I'm following the script a little bit. And this version is where I'm just reapping a little bit, talking from heart. So, what I'm going to do in this one is I'm literally just going to tell it like, "Hey, we have two versions. Don't cut them together. We have two versions. Uh, and I want you to cut and give me two different reels with two different

[2:13] styles." Sometimes I like to do this, sometimes I like to do even three. This way I can have three versions and one could be better than the other. Or it depends really. Sometimes, most of the times I record a batch recording of different reels and batch recording pretty much. So you could record in one recording 10 different reels and then just give it to Poke Creator Director and he understands how to work. So anyway, without further ado, let's honestly just begin. So obviously the first step would be to open your code harness and kind of figure out obviously I don't have a signature that I want to

[2:43] use now. Now I want to kind of pick through the ones we've created here. And um it's this one might be a little bit random, but let's see. So, for this edit, I know what I'm talking about. I'm kind of talking about how I grew from 10K followers or how I grew to 10K followers in pretty much under a month with only 10 posted using the Poker Creator Director. So, I know, let me see here. I like this style. I like this animation. Uh this is a transition. As you can see, it's flowing very well. I like this. We're going to use this for transitions in this video. And I also

[3:14] have, let me see here. So there should be yeah the talking head. Obviously for you this does you don't know and remember these. It's it's just I've created these styles in my library. So I know I can remember by looking at them where they are and stuff but I want to use the Apple UI thing here. So we're going to use this style when it comes to blurring and stuff like that. So what I personally do is it depends. Most likely and most of the times I do first step will be color grading the footage in Da Vinci Resolve cuz I use my own power grade that makes it my vibe my footage

[3:44] and then I take that into After Effects usually or I just let it be in the Vinci Resolve depending on the edit and then I finish everything up in After Effects. So that's what we're going to do today. So I can show you the color grading and stuff. So let's see here. So what I usually do though is if I don't want to automate it for this video I'm not going to automate it necessarily. I'm just going to explain with my words what I

[4:03] want and how I want it to be done. Okay. So, what I want for this edit is I would like you to use I want you to rely on the only movement speed graph cuts transition. That's how I want the most transitions to be when it comes to if we're going from the talking head footage to the B-roll. Also, I want you to take a look at the talking head 16x9 sound design one. Uh where we're using the Apple UI stuff and yeah, just pretty much that design. I'll actually copy the name here and just follow look through what we did there. And also the most

[4:36] recent one if for B-roll I actually want you to use the prism world reveal. No, actually I want you to use Yeah, use the prism world reveal for B-roll, but I want white background and Yeah. So if you look at the serif world No, if you look at the serif word rice, I love that. That's perfect. Actually, no. You

[4:56] know what? You see this? What happened? I I think while I'm doing this, I'm kind of imagining how it's going to be. You know what? I want to use blue vintage serif title that we did in Blender for a lot of the things uh for B-roll. And obviously, you would like to I would like you to change a little bit a little bit in terms of while I'm talking, I want the words to kind of be just appear, not just all of us all at once kind of if that makes sense. And then I also want you to use the show real selection boxes sometimes for B-roll or

[5:23] you know what that could be the intro. We could use that as a covering over uh the bottom thirds using this uh to match the intro or stuff like that. Okay, I know this is very random. You have a lot of things to go by here. You could also use the one sometimes if you need to you depth handoff study. Finally, make sure that they are mixed together so it has this very nice DNA signature style. Uh so it obviously flows well and good luck. So what I do there? Obviously, this explanation, you might be thinking like this is this guy don't even know what he's doing. And honestly, how I do

[5:55] this, it's very messy. Uh, as you can tell, this is my process about it. And most of you guys will plan this more. And usually, if you really want a good video, you should kind of plan it a little bit cuz now I took it right on the spot. I literally just looked at these. What do I want to do? What animations do I want? And actually, I realized cuz what the the things that I just picked does not really flow well together. Initially, if I were to create more less is more video, I would have created a video using this one, the white page outro. And then I would have

[6:24] used the transitions for this one because it matches well with these two. And then I would have created more or less is more video, meaning like this video here where it kind of it's just me talking and for the key parts that I'm talking kind of does a little bit more. That's how I personally want to use and create my videos, I think. And obviously, we have so many more styles we could use depending on what we're creating. But also what I'm going to do

[6:46] is I'm going to let it do its thing. Also, if you have any opinion of or other styles that might match here in our library, you could use that too. So, but obviously I want you to use the blue vintage serif title thing mainly for parts that's like more I want them to remember. Maybe more like I don't know.

[7:01] It's kind of hard to explain honestly. You know what? Do your thing. I I trust you that you know what you're doing. And uh the video you're going to edit is this one. So, you know what? Actually, what we're going to do there's two videos. One of them should be less is more. The first video I want you to actually use mainly like the the styles that are similar. For example, show real selection boxes still as an intro. The serif word rice could for example be used as B-roll and then we could also use the white page outro for B-roll. And obviously still still use only movement

[7:31] speed graph and also use Apple UI. You know the Apple and notifications. Uh so when I say Apple UI, I mean the Apple notification uh style we have created that we use inside of the talking head 16x9. So we have two versions. One of them could be a little bit more using the blue vintage serif and all of the other combined and one of them could be less is more taking more more inspiration from only the talking head 16x9. So first obviously do the rough cut in dimension of resol do the color grading and I trust you with this. Do the rough cut color grading and then

[7:57] render both videos and just begin pretty much just do the whole process. I I don't want to I trust you. I don't want to review the video and do literally the whole edit for both of them as quickly as you can and as yeah high quality as you can. Use Blender, use a Vincol. Use the things you need to do to make this work. And last but not least, sound design. Um, when the whole videos are rendered, probably we should do the sound design inside of Dav Vinci Resolve at the end of the day. Maybe whatever you think is the quickest and the fastest and quality wise. You could also

[8:26] do it Premiere Pro. Maybe it's easier to just move the After Effects file to Premiere Pro. Whatever you do, I don't care. So, for me, I have all these softwares cuz I'm I've created this. I need to make sure that it works. Yeah. So now what we're going to do, we're just going to let this work and do its thing. And also what's going to also what I what I want to mention here is that you don't necessarily have these styles yet. Some of these will be released in the official library that you can download and use. And you might be like, what are you even talking

[8:51] about? Like how do you do this? Like how this is a mess and how I name my things. Yes, it is a little bit of a mess, but it works for me. So you should do the same that works for you. Cloud code will name this for you too. And I'm trying to make a way so it's kind of better pro like you have if it's a text animation we call it a different name. But this works kind of you just go over here literally say create the invitation envelope style create the casino card logo intro. Yeah all of that pretty much. Uh so as you can see here we have

[9:18] a lot of different styles. Uh we have so many things that we've created and tried. So yeah. So and usually what I would like to do and usually this signature thing is kind of new. It's really good but it's kind of new. ite. What I'm doing now pretty much is what you should and what I recommend is instead of doing what I just did, which is kind of a bad explanation, an example honestly. But what I recommend doing is

[9:39] actually turning these into signatures. Let's say we want this as a text B-roll style mixed with the show reel mixed with this one and mixed with this transition and then turn them into a signature because this way after you create a sig after you create a signature and explain all of these styles you kind of you'll like cloud code will know exactly you don't have to do the whole explanation process that I just teach you here then you can literally just say edit my videos or to the videos with signature A and signature B done that's how amazing the system is and but sometimes I just know

[10:10] when I want to try new things I just do what I just did. I have no idea how this turns out. Most of the time like obviously it will turn out well but again as I tell uh if you have seen the sound design um you might have something that you envision and imagine. So sometimes even though it's really amazing it's not necessarily how exactly you imagine it but most of the times it will be really good. So obviously you just let it know

[10:31] what you didn't like and what you like. This way it will say what you like and don't like with that specific signature or style and then it will improve and then obviously over time it will just be one shot every single time if that's your goal. So yeah again we should probably just let it do its thing and which it is doing right now kind of looking at the styles looking at the how all of the ones that I mentioned what it is and hopefully what it should do is it should look at the files so it understands them without just having to recreate them. So anyway let's just let

[10:56] it do and do its grading thing. Okay. So, okay. So, what I want to re Okay. Okay. So, what I want to mention too is by the way, um I sometimes I just want to make sure and that's just me being want to make sure that it really works. So, I just told it to do assembly AI cuz I have the options of 11 Labs and Assembly AI for transcription. Whether you're using those two or a separate one that you like or if you're using Westper X which is a local model, it knows all about it. Uh you can do that too, but I forgot to tell it that I prefer assembly

[11:27] AI. So, what it's doing right now, it's going through the video, going through the styles, creating kind of a plan, and it's also transcribing obviously what's going on in the video, make sure you have the best takes, and so it's cut together very well. It's color grading it, and it's doing everything that I just told it to. But what's worth mentioning here, too, is that sometimes

[11:45] you also want to just make it a plan. So, if you have a coding harness that does like planning, you can make it plan before it executes. So, instead, as you see, I have bypass permissions. So you could put it to create a plan. This way it will plan it more. I barely use it cuz I just want to be fast and efficient. I just want to go go. That's my my way of doing things and just fix it on the go. That's how I prefer doing things. But planning mode is something you can do too. So before it actually does anything, waste a lot of time. You

[12:12] can actually just plan it and then figure out um so if that's how you want to work on stuff, you could just make it plan stuff honestly and then yeah, work from there. So here is what's going on. It's working inside of Dinci Resolve here. Working bit by bit. And then now again how my work processes and how I do things is might be different than you. You might be only using dinci resol. You might be only using after effects and premier pro. Either or you could do exactly what I'm doing. Probably the best thing would be to work within only the vi resolve and not drifter after effects. But I I

[12:44] really like the way after effects works when it comes to actually creating the different effects. I have so many way of doing things. Now we actually use blender dual resol. We do so much things. So, as you can see here on my screen here, it's cutting everything up for you, making sure it's flowing flows well. And what you can do to before you can watch it while it's working, but sometimes, as you see, it might be stopped. And here you can see also it's appending the signature styles or signature color grade on my screen right now. It works very well. And um I mean, yeah. So, what you see here is it kind

[13:15] of just does a quality check. As you can see here, it's a PNG file. Um, this will just make sure that it knows that it's been working just to double check itself, check its steps, and it also is color grading it correctly. So, it uses my signature. So, as you can see, it goes from one style to another, and it color grades it a little bit. So, that's that's what it does. So, mine, I want mine to color grade mine. It's going to use my signature look and then color grade it. And funny thing, too, uh, you

[13:38] can literally just go to Pinterest. While this is working, some of you guys might be recording on the same type of camera that I am, which is a ZV1 or I'm using Slog 3. or if you're using a Canon camera or if you're just using your phone, you could also have log so you can do proper color grading. Um, you

[13:54] don't have to do color grading at all. That's just the extra step that I take. So, you can literally just go to Pinterest, go to cinematic color grade, look this up, and then you could take a lot of here. Like, for example, if you really like this color grade, you could literally just paste that by. Um, now this is not necessarily more of a color grade in my opinion. This is more just showcasing the quality. So if you want to have a specific color grid or vibe, you can literally just scroll through here, find the color grid that you want, give it to cloud code, and then make

[14:19] your own signature color grid. It can do that too. So um sometimes you want to mention things. For example, if you were to create uh a color grade, I would recommend for example giving if let's say you want to recreate this color grade, you would copy this image and then you would also explain the bloom. For example, okay, this color is very it's very cold. Uh, it knows this, by the way, but I also want you to create a

[14:43] a node, for example, that has the bloom. We want to make sure that we get the bloom as well. And obviously, we'll do that, too. Again, you can do pretty much everything that you want to with the poker creator director. So, as you can see here, a decent color grade. I know I look a little bit messy and we have the mess here in the background, but anyway, it is what it is. So, yeah. Now, let's let's do it. Let's let it work. Again, uh, one thing I want to mention too is you can if you have a lot of videos and if you have really good computer, you

[15:06] could also kind of let it plan both of them at the same time. So, what I mean by that is I would now let's say I start over from scratch here. I would just literally like say like, hey, we have two videos in the one recording that we have. What I'd like you to do is I want you to delegate both those sections. So one video shoot to another agent and the other video to the other agent and then obviously do the whole editing process process and sound design and the whole the whole deal pretty much. And then what it will do then is obviously you

[15:33] will have the head agent delegating to the different agents so you they can focus on their own separate video. It's not necessary at this point. Opus is doing such a good job OPU 5.5. I strongly recommend using Opus 5.5 at the time of this recording or um Astra when it comes to cuz they're really creative like a little bit more creative. Not that it needs to be considering I'm giving it all the guidelines and instructions that it needs to through all the different tasks. So I I didn't want to show or watch the video through myself. Most of the times I kind of want to see the video before it start editing

[16:05] cuz you know is an AI model. Sometimes very rarely it might be something I don't like or I don't like the way it's cut up or if I have an opinion that I want to put in myself I might want to watch it through. But you could still while it's working you could still start watch. Oh, let's you know what? Let's watch this cut through. Oh, I realized I By the way, sorry guys. I realized I was listening to music while I was recording this. I do apologize. Wait, let's let's

[16:28] just watch this rough cut. I posted 10 videos and in under a month, they actually grew to 10,000 followers. And funny thing, editors started DMing asking me if I needed anything edited because they they thought that I was editing all the videos that I have by hand myself and I'm not the only. Now, honestly, this is mainly a edit that I recorded for this video specifically. As you can see, I don't know why I have the head headset up here. It's mainly so I

[16:52] could separate the two different clips. And yeah, um but it does a decent really good um rough cut depending on what I say. So, obviously, I could have been more energetic. Uh that's the human in the loop that's the problem here, not the not the editing at all. So, just wanted to watch that through. It kind of works already. So, yeah. Something I want to mention too, most of the times I do not use Da Vinci Resolve, After Effects, and Blender all at the same time. But this just video, this mainly

[17:24] video is this goes to show that you can. And that's how a lot of creatives probably will work, usually do work depending on how high quality of the edit they are creating. If they have a 3D animation that they want to, which is best in Blender. So most of the times I literally just color grade it and then put it straight into After Effects. It does its whole thing there and then

[17:40] after it it does the sound effects. That's how I usually go. No, sorry. Dol, color grade after effects and stuff and then does sound design there. But now I kind of just wanted to see how well we could do this uh combining this. So I'm I'm actually barely done this myself. So it will be really cool to see what's going to happen here. All right. So for me, for most of you guys, this is not the case, but I have a um Windows computer that's running on a server back home and I have this MacBook. So I can in theory render like on two different machines so it goes even faster. Not

[18:11] necessary at all, but I tend to do that. This way I can just render stuff cuz my MacBook isn't the strongest. It's strong but like good, but it's not the strongest and the the best. Obviously if you already have and been delving with rendering in the Vinci Resolve or After Effects, you're good to go anyway. You probably know that. Now we're going to take a look uh scroll through it a little bit. So what I don't like is the intro. I was thinking more of using pretty much just using this as like a more overlay while I'm talking. So I might just I would have given it like in

[18:41] like I don't like this is very basic not what I wanted. Uh the rest is pretty decent. I think I would change certain things. Obviously it's easier to go through when the video is done but I wanted to scroll through and sometimes and actually most of the times what I end up doing is actually while it's rendering and doing its thing if I see something I don't necessarily like while it's working I let it know. Right. Uh this is the less is more version and this is the one that is not obviously less is more. More things happening

[19:09] showcasing all of the different styles. The blue one which I do believe probably will be really good. I have a strong feeling that this one will actually be quite good. For example, this this one too. I don't know what I think about this. This is bad quality but it works so I would change it. Like this is I

[19:24] think this is pretty cool, pretty good. And it's not done yet. It's still working. So I'm I'm going to let it still work and do its thing. But all of these styles have been generated in the tutorials that I've created previously inside of the Pocket Creator Director. This way you kind of already knows how or know how these work. So anyway, um I'm just going to let this keep on working. It's been a couple what ended up happening inside of cloud code here is that I had no room on on my SSD drive where this is rendering. So we're just

[19:49] failing over again. That was my fault. So I literally just told him like, "Hey, hold up. My storage is full." So just for your information, it takes longer cuz it was holding up for too long. and make sure you have enough storage. I have maxed it out. So, yeah, without further ado, let's just let it do its thing, render, and and we'll go back and kind of dive into what it did and how it did it. Okay, so it seems like the first render is done. I just got back. I'm actually about to go to a wedding, so you know, it's nice to just wait. Let

[20:18] let this wait through. So, what it's doing here is pretty much just analyzing. You don't have to do this. The reason why I do this is cuz I want quality over I don't want to have to go back and forth all the time. But as you can see here, it does a lot of like After Effects A7 grid. It's what it's pretty much doing is it's always quality checking and double-checking that even though it knows most likely it it is perfect, but it always after the render it always like double checks that the video looks good pretty much. That's why like the context window will get blow

[20:46] like massive eventually. And I mean as you can tell just for information, I literally just told it like the assembly AI cuz I wanted to transcribe it. And then I also told it like right now open the folder uh which is kind of most likely already will be doing that's by automatic. It will open that up. Now I don't think nor do I know but I don't think I told it to do sound design. So initially it might not have done the sound design yet which is kind of totally fine. Uh for the first take I kind of just want to watch and listen through uh the whole video first and see

[21:16] the whole entire video and then we would just do the sound design which is pretty much a simple case. We'll do pretty go pretty quick. So, the poker creator director is pretty much just this. Literally, I got a notification. I literally got a notification today that I've been working and started thinking about this whole process and I've been doing this for a year now exact to this date, September 26th. So, that's really funny. But what Pocket Creative Director is, it pretty much has all of the instructions of a creative. Been spending a lot of time on figuring out where and what to do. Now, if you don't

[21:45] want to invest or use Pocket Creator Director that I've been building, which is totally fine. I don't judge you at all, which is totally fine obviously. Um, you can always just download the MCP servers. Just literally look up all the community servers for After Effects and Premier Pro have its own right now. Just came out. Amazing. That's what I'm using. And then you can build your own poker creator director over time. Uh, if you set up like learning loops and algorithms that make sure that you learn everything and that you obviously have a good system and things where you can literally just use your voice. So

[22:15] obviously what have taken me a lot of time to build this is I' I've had to figure out what to what to tell it, what not to tell it and do over explaining every single time I use it. So I have to in the beginning of this when I started using this it was it's I spent more time vibe editing than uh if I were to do it manually cuz I was like oh I didn't like that. So I instead of actually just going in and change it myself I use more time on talking to Claude Go. Now, as

[22:39] you can tell, this is the first test. And if you're coming from the Poke Creator Director and if you've seen all my videos in the terms of like the tutorials on how we created these styles, cuz if we go to the library here. So, if we go to the library, as you can see here, uh the library here, these are like the styles that we created in one shot in one of the few tutorials like this one, this one here,

[22:59] which you will be seeing in the edit. And all of these are just pretty much most of them are yeah, just one shot. And then what we do with the poker creator director is if you don't already have it and know it, we pretty much just tell it like, hey, I want you to recreate this style. This was an image

[23:12] that I took inspiration from Pinterest. And then I explain how I would want it to be used. And then it gave me this exactly the first try. And then what you would do is literally just explain like, hey, when you use this in my footage, I want it to be as a overlay, not a B-roll. So that's what it did wrong here. So now, as you see here, we actually got the video back. So let's actually watch it. Okay. So you know what? Let's actually watch the video and then I'm going to give my notes on it

[23:36] after. I posted 10 videos and in under a month I actually grew to 10,000 followers. And funny thing, editors started DMing me asking me if I needed anything edited cuz they they thought that I was editing all of the videos that I have by hand myself and I'm not. The only thing that I actually do is I record the cut, the graphics, the color grade and obviously the sounds. Pretty much every single thing that you see in this video and all my videos and everything that I do is done by cloud code but inside of the native applications. This edit for example, it's color baited in the Vinci

[24:09] Resolve by Claude and it's edited motion graphics inside of After Effects. I never touched the timeline once and this thing I call the so honestly it's not bad. Honestly, it's very in my opinion for it's a really good edit. Honestly, the only thing that I would give notes on is I do not like this is a bad hook. If you were to start this in a short form video, this is a short form video like 1 minute and 30 seconds. I would just explain it like, oh, you kind of messed up here cuz this is one of the styles we created in the tutorials. If you and inside of Poker Creator

[24:38] Directory inside of the training videos and as you can see here on my screen right now, this video right here uh is exactly like the template. So, that's not how we want it to work. So ideally I would want this to be inside of uh while you see my screen with a punch out maybe right that's how I would want this style to work. So next time what I would do here is I would literally just say to cloud code hey can you please fix uh this uh when you use this most of the times I actually want it to be a overlay and not a B- roll. That's how I explain

[25:07] it. So I still want to be able to see my face and stack the videos better and this doesn't really make sense. I don't like it. Might as well honestly just get rid of it. That's how I think about it. Now this is overall better. Like this one could have the the only thing I would change with this is I actually wanted to track my face. That's what I would do here. Track my face. Uh and then this one is very basic simple. We

[25:27] could keep it there. It's very simple. Obviously we haven't done the sound design yet which we will do now. H also if I want to be very very picky these logos needs to stretch out so they actually cover this thing right here. And I love this style. Um this is what I like this is I love this style. We also created this style literally just I gave it an image explain what I wanted and that's the first thing I got back from the poker creative director and this is kind of a lie in the video I actually kind of lie in the video which is I said

[25:52] that I'm using color grading in the material which I did and then I'm doing the after effects or the motion graphic inside of after effects but this style exactly here was actually done in blender and we also did recreate this style in after effects but the blender one was is way more was way faster and um better in my opinion so anyway it's not a big deal but anyway other than that I'm really satisfied. I like uh most of it. And you might be thinking, well, what's up with this text animation? It's laggy or it's pushing it. That's that's how I want it to be, honestly. But yeah, overall it's really

[26:22] good. Uh it works. And if I wanted to be really picky, I feel like this is a very cheap uh a little bit cheaper animation. I wish it was had a more glow maybe or a more prism effect, but it is what it is. I'm just going to keep it there. So yeah, that's it. And uh the next step for this one would be to honestly just do the sound design. So, normally I would want to specify the intro that I wasn't necessarily too satisfied with the intro mainly. That's the only thing I'm personally satisfied. That's the first prompt. So, this one I would change to be more authentic. See my

[26:51] face. We want to always see the face. Maybe a subtle punch out hook like it punches out. Uh zooming punch out. Uh other than that, everything else is really good. Uh and also this if I want to really be picky, this should track. Um overall, other than that, really good. If I really wanted to again be picky, I would have wanted to change

[27:08] this maybe a little bit. I don't know. Something of this kind of makes me I don't know if I like this style. And as you can like normally you you should try to get your brand identity. I like it's everything from this animation like an Apple UI to this is very Appleike. Now this is not necessarily Apple like and then all of a sudden we go into like this is obviously and then all of a sudden we go into this style. So it's very random. Uh but I mean I personally I don't care for this video. This mainly just to showcase how I would go on about

[27:36] it. And then after very important step here, whenever you're done and happy with an edit like that, you could like for example what I did now is I use multiple styles and how it's been edited, right? What I would do at the end of this video, I would just say like if I'm really satisfied like, "Hey, can

[27:49] you please turn this into a signature? All the styles we used here, and I love how the edit was, can you please turn this into a signature?" So literally, that's how I would go on about it if I just test and try new things. And then next time you could just literally say, "Hey, can we use the signature called and then obviously the name and then it will I don't have to explain anything. I

[28:07] literally just give it the footage." Boom. Footage in and then the signature edit completes the same style like this. So yeah, obviously again I would give notes tracking my face and notes on the intro obviously to make it perfect how I like it. So again how the poker creator director works it's want to be pixel perfect. So what's going to happen sometimes is that it will go over the rendered video and if it thinks and for example if it thinks it doesn't something was wrong it will rerender and keep going over so it's perfect. Uh for example right now if you were satisfied with this video you would just let it

[28:37] know like hey this is perfect already. You don't have to do too much but um just so that's you know that now the reason why I thought it messed up here is cuz this one is blurry. The text here is blurry which it shouldn't be in that signature style or in that library style that I've created with this text animation. It says nothing about blurriness. So that's why it will rerender it. So what I'm going to do now is okay, I really thought that the

[28:57] original edit here was perfect. Obviously there's some changes that I would want to make, which is one, I would like it to be in the intro. We don't want to showcase and cover the entire face. The main thing about the intro should be me. Focus should be me. So no B-roll in the intro and maybe like a warp punch out something uh effect if anything. Other than that, it's really good. And also the video editor question mark thing uh where it's covering my face. It would be cool if you actually track it center in my face. tracking my face a little bit. Other than that, it's

[29:24] very good. After you render that, I also want you to do everything all the sound design inside of Dinci Resol. So, do the sound design. Now, I want you to use 11 Labs to find the sound and I want you to use 11 Labs to find the sound effects, create the sound effects to match this edit. For this video specifically, I

[29:38] want you to focus on render A right now. Uh, render B is more of a backup render. Uh, you don't have to overly focus on that. And you can do the sound design here locally, please. Thank you very much. Do proper sound design. You know the whole gig. So, that's how I would go on about it. again um mine and yours when you get this if you have the Poker Creator. If you don't, totally fine. But you will yours will also be very pixel perfect, so all your videos will turn out well cuz most people that have done this stuff and if you have tried this

[30:04] before using AI, first of all, the edits themselves look kind of cheap. Second of all, it will fail now and then because it doesn't have the correct instructions and the system to actually save things, collect and like find things. Pretty much the exact system that I pretty much a good system for cloud code to know what it's doing. But you can literally if you don't want to when you're using the Poker Creator Director, if you don't want to make it that pixel perfect cuz again this video is honestly very

[30:29] perfect in my opinion. It's really good. It has a style. It's high quality to you. You might be like, "What the hell is this style even?" Well, this is what I wanted, exactly what I wanted. So, I'm very happy. I'm satisfied with this effect and it understands my vibe and everything really. And obviously at the same all of the effects that you see here is explained in the Poker Creative Director training videos on how you just go from your thoughts and to the

[30:50] different effects. It's really simple. It's funny. I love to see how good it turns out with just one prompt and it's ready to go. And you can literally create 30 videos out a day pretty much. This is insane and I'm really satisfied with this. So, um, so yeah. So again, you could just literally tell it like, "Hey, you don't have to be that perfect." And then over time, it'll just learn what you like, what you don't like, and then it will edit the way you like it to edit. Literally like a like a director, like a creative director in your pocket. That's why we call it the

[31:17] pocket creator director. Anyway, let's just let it do the sound design, finish the whole video, and then Yep. Okay. All right. What's up, guys? This uh, as you can tell, I am all changed. Last night, while I was working with this, I got a little bit rushed. I was going to a wedding, so this is the day after. And now we got to obviously I need to cover this. It does not take a whole day for this to like finish. So I'm going to showcase everything just to see that I only have sent a couple prompts here that you already have seen. And then now how long did it take you? Obviously not

[31:44] the waiting time. I asked it how long it took. It says that it took 1 hour and 25 minutes. Uh that's including the part where I actually was out. But what if you notice here round two and this means what it does and why for me it takes so long for it to edit is and we we're working on to make this faster but take in mind if you look at uh a alone that's just one video and then we have two versions of uh another video. So in theory, the reason why it takes long is because it's analyzing the footage where looking where you are, the movement of

[32:13] you, what you're saying, how to plan this to make it really good. And it's also quality checking. For me, I really want good quality on my videos. So it's quality checking every single step. Uh now, you don't have to do this really in-depth like me at all. But if you notice this, A is 1 hour and 25 minutes,

[32:30] but A and B is 1 hour and 35 minutes. Meaning, if you want to batch record 30 videos, and I'm not saying two videos, I'm saying literally 30 videos. It will not take too much longer. It wouldn't it wouldn't have to be like it wouldn't be 30 hours, you know? It wouldn't be 30 hours here that you would for each video literally because the reason why it takes longer the first for one video is it cuz it really plans and go really in depth. Now, without further ado, you're probably wondering how this audio and video looks. So, as again, it gave me one minimal video and then it also gave

[33:01] me one video uh that's um better edited and I really like. So, yeah, without so yeah, without further ado, let's just see what Claude Code cooks up for the sound design. And obviously, it's only the sound design cuz that's what I specified. Obviously, you could tell it like, hey, the music, sound design, and mixing everything, but I just want to showcase everything step by step. So, here here goes the first version. Posted 10 videos, and in under a month, I actually grew to 10,000 followers. And funny thing, editors started DMing me asking me if I needed anything edited because they they thought that I was editing all of the videos that I have by

[33:32] hand myself and I'm not. The only thing that I actually do is I record the cut, the graphics, the color grade, and obviously the sounds, pretty much every single thing that you see in this video and all my videos and everything that I do is done by cloud code, but inside of the native applications. This edit for example, it's color baited in the Vinci Resolve by Claude and it's edited most graphics inside of After Effects. I never touch the timeline once and this thing I call the Pocket Creative Director. I record and then obviously sometimes as a human being I mess up. So I just redo the take and at the end or

[34:06] in the video I could just say, "Hey Carl, can you cut this section?" And it understands. So I literally drop the file inside of the Pocket Creator Director chat which literally is Codex, whatever agent you're using. Tell it, hey, edit this in my signature and then it comes out exactly like this. It understands how to edit properly. So, you don't have to go back and forth all the time. AI is smart, but it's only as creative as the person behind it. You should focus on what you're good at, your expertise field, what you're selling, your brand, and let a cloud code do the mundane work, but do it the

[34:37] right way. Use it the right way for your brand, and you win. So, if you want to see how I edited this video camera to the finished thing you're watching right now, you can just comment director and I will send it right over. Okay. So, uh obviously as you can tell here in the beginning, uh you remember when we told like the fisheye warp lens, it literally took that to heart. Uh so it kind of messed up here. That's cuz my explanation was very poorly. Um usually I would just say like a punch punch out hook and then it works. So that's something we change. And some sound the

[35:05] sound design wise it's decent. Obviously, when you add music to this and lower the sound design audio, it will kind of blend in the background so it's less and more. Obviously, now it feels way too punchy because it's currently still, uh, there's no music or anything, right? So, uh, now you just kind of get a gist of if you you obviously probably know this if you do your sound design already, you already kind of know, um, why and what this is pretty much. But overall, it did a really good job. And if you want to see, so obviously there's two versions. I'm not going to go through this. It's the

[35:34] same one, but not that blue part. is very minimalistic, simple, easy. I don't necessarily like certain sound designs here, but let's open the project and see what it does. So, actually, before anything else, let's ask you to uh Hey, can you open the um version A in Da Vinci Resolve, please? So, what I'm going to do and why I'm asking that is cuz that's one we're going to focus on right now cuz I like the version A more

[35:56] than version B. I like the blue part. This here, as you can see, it opens it right away. So, then we're good. That was fast. So again, here you can see the whole sound design process. As you notice, it's also color grading them. Uh very simple here, but we can go I don't I'm not going to go too deep, but it

[36:12] knows exactly how to do sound design. We're covering the sound design thing. If you're part of the Poker Creative Director, we're already kind of covering this already. But for those who don't have this, uh this has been a process in a long, long time where, you know, being able to learn and teach Cloud Code how to use 11 Labs to do proper sound design. And we've gotten to the point it really does a good job. Uh, so again, it does proper sound stacking here. Like I I I could break this down. And also, we're still working on the sound design here depending on the video. Everything

[36:39] from ambience music in the background. If you're in a cafe shop, if you're moving around, if you're using Labs, it it will actually do the ambience in the background, too. So, it actually feels like the user is being pulled into your video cuz that's the goal. Less is more for sure. Uh, but yeah. So, I mean, overall, it's a really good edit. If I were to be really picky and by the time you're maybe seeing this on Instagram, obviously I will change the hook a little bit, I would also fix certain maybe some sound effects will turn out too sharp. That could happen. It's an AI

[37:08] that generates these sound effects. But as you can see, it tracks my face. Easy peasy. That's a quick thing. And yeah, everything is done properly here. Uh, obviously if there's anything I would change is probably the sound design for this one. I know it can do a better job and but I mean it works really well. So, what I next step would be is literally

[37:27] just say like, "All right, we're good. Uh, change this, change that." And then also, uh, I could tell Poker Creative Director what type of music I want. Or I could just literally say like, "All right, pick the music that fits this vibe the best." Also, I like to do be creative with my music. Like, when these things are coming up, uh, B-roll stuff, I might muffle the audio. Obviously, Cloud Code Codeex, in other words, the Pokeet Creative Director will actually muffle the video for you, too. uh or like the audio of the music. Anyway, that's not the concept here. But as you can see, it's really complex. For this

[37:58] video specifically, I feel like we've gotten to the end of that one edit how I go from A to Z. And I will the next thing I would just do is make some fine adjustments in terms of literally just the intro. Just do a normal punch out hook and that's it. And obviously music and then we're done. And then it's the posting process. There's so many services you could use that post these for you automatically too. And that's what I do. I literally just Yeah. either sometimes I use something called instant DM metrical depending on what I use uh and whatever you use that's up to you. I

[38:27] have not dialed in an automatic poster for you inside of the poker creator director if that's something people want. Let me know and we will get that done so everything is automated if you really wanted to but personally I have just another one you know so when it's done I just tell poker creative director hey post this video for me obviously use a DM keyword so they can get the video so they can teach in how the video you're watching now and uh yeah so that's pretty much it. So, I mean, what I would do is pretty much um just tell it like, "Hey, edit this video in this

[38:55] signature. I want you to do the sound design with 11 Labs or my own." And then I also tell it to just do the music, too, and show me the finished product. That's how much I trust you. You don't have to be in the loop all the time. I like this is more for me to be able to show you what it does for each step. So,

[39:10] it's really, really neat, really simple. And uh moving forward now, finally, I'm done with a lot of things. There will be a lot of updates here, a lot of these styles moving forward. the more I will create videos myself. I will release these inside of the Poker Creator Director for those who have that. This way you can just, you know, plug and play for yourself. You don't have to do your own style if you really don't want to. You could just steal a lot of my styles. And again if you don't have bl and again if you really don't have dinci resolve after effects or premiere pro

[39:39] you could you can in theory do this in reotion but the only thing you would be losing is like motion blur and like the little bit thing the things that make the things that separates AI slop and like poorly a little bit poorly edited videos to a highly edited videos with proper motion blur proper movements better pacing and all the other motion graphics that kind of makes it premium in my opinion obviously. Uh, and also again, if you don't want to pay for After Effects or if you don't want to pay for anything here, the native M the MCP Blender is really good for motion graphics. You just need to trust it with

[40:10] Blender 2. Blender is honestly I think that's it's up and coming. It's a goat right now for motion graphics and strongly do recommend that, but that's usually for like B-roll footage like this. So, yeah. Anyway, thank you very much for watching and hopefully this was really helpful for you to understand how the Poker Creative Direct works so you can start using it yourself. And um yeah um without further ado, I'm going to finish up this video. Literally just the only thing I'm going to mention now is

[40:34] hey, can you please fix the intro? That's it. And I do the m music and then we're we're good to go. So yeah, thank you very much again for watching and I wish you a great rest of your

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